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CATTI一级笔译试题
在平平淡淡的日常中，我们很多时候都不得不用到试题，试题可以帮助主办方了解考生某方面的知识或技能状况。相信很多朋友都需要一份能切实有效地帮助到自己的试题吧？以下是小编整理的CATTI一级笔译试题，希望对大家有所帮助。
Section 1 Translation
Part 1 English-Chinese Translation (英译汉)
Translate the following passage into Chinese.
Alice Munro, winner of the 2013 Nobel Prize in Literature, once observed: “The complexity of things — the things within things — just seems to be endless. I mean nothing is easy, nothing is simple.”
That is also a perfect deion of Ms. Munro’s quietly radiant short stories — stories that have established her as one of the foremost practitioners of the form. Set largely in small-town and rural Canada and often focused on the lives of girls and women, her tales have the swoop and density of big, intimate novels, mapping the crevices of characters’ hearts with cleareyed Chekhovian empathy and wisdom.
Fluent and deceptively artless on the page, these stories are actually amazingly intricate constructions that move back and forth in time, back and forth between reality and memory, opening out, magically, to disclose the long panoramic vistas in these people’s lives (the starts, stops and reversals that stand out as hinge moments in their personal histories) and the homely details of their day-to-day routines: the dull coping with “food and mess and houses” that can take up so much of their heroines’ time.
Ms. Munro’s stories possess an emotional amplitude and a psychological density . Her understanding of the music of domestic life, her ability to simultaneously detail her characters’ inner landscapes and their place in a meticulously observed community, and her talent for charting “the progress of love” as it morphs and mutates through time — these gifts have not only helped Ms. Munro redefine the contours of the contemporary short story, but have also made her one of today’s most influential writers.
In short fiction that spans four and a half decades. Ms. Munro has given us prismatic portraits of ordinary people that reveal their intelligence, toughness and capacity to dream, as well as their lies, blind spots and lapses of courage and good will. Such deions are delivered not with judgmental accountancy, but with the sort of “unsparing unsentimental love” harbored by a close friend or family member.
Like Ms. Munro, many of the women in these stories grew up in small towns in Canada and, at some point, faced a decision about whether to stay or to leave for the wider world. Their lifetimes often span decades of startling social change — from a time and place when tea parties and white gloves were de rigueur to the days of health food stores and stripper bars.
For that matter, Ms. Munro’s women, often find themselves caught on the margins of shifting cultural mores and pulled between conflicting imperatives — between rootedness and escape, domesticity and freedom, between tending to familial responsibilities or following the urgent promptings of their own hearts.
In story after story, passion is the magnet or the motor that drives women’s choices. Love and sex, and marriage and adultery are often mirrors that reveal a Munro heroine’s expectations — her fondest dreams and cruel self-delusions, her sense of independence and need to belong.
Ms. Munro is adept at tracing the many configurations that intimacy can take over the years, showing how it can suffocate a marriage or inject it with a renewed sense of devotion. She shows how sexual ardor can turn into a “tidy pilot flame” and how an impulsive tryst can become a treasured memory, hoarded as a bulwark against the banalities of middle age.
Illness and death frequently intrude upon these stories, and the reader is constantly reminded of the precariousness of life — and the role that luck, chance and reckless, spur-of-the-moment choices can play. Some of Ms. Munro’s characters embrace change as a liberating force that will lift them out of their humdrum routines, or at least satisfy their avid curiosity about life. Others regard it with fearful dismay, worried that they will lose everything they hold dear — or at least everything familiar.
Part 2 Chinese-English Translation (汉译英)
Translate the following passage into English.
现代西方的中国学大致经历了两个代际的变化。第一代是历史主义流派主导的，第二代是意识形态至上流派所主导的。当代西方对中国的认知，不论是学术界或大众媒体，都深受这两大代际和流派的影响。
现代中国学研究的第一代，可以追溯到20世纪初。他们用历史主义的语境研究现代中国，研究方法深受中国传统文化影响，研究领域涵盖了中国的政治、历史、社会状况和引领中国现代史的领袖人物。
中国学的第二代，始于89年，在后冷战时代的意识形态狂热中诞生。这一时期的研究，陷入自由民主或专制独裁的意识形态两元对立。在研究取向上，强调政治立场先行和意识形态挂帅，目的只有一个，即证明中国的政治制度必然崩溃。可惜，这一代流派的研究一再被中国成功发展的事实证伪，备受质疑。
最近几十年来，中国全方位快速崛起，其巨大影响波及至世界各个角落。全球政治、历史、经济研究的顶尖人士，纷纷聚焦中国，希望探究这一历史重大事件的深远含义。
当下，中国学正迎来一个新的代际，即第三代。第三代中国学发端于新的形势背景下，研究方法和取向都不同以往。这一代际的演进，将推动中国学从基础结构上发生转型，并对世界对中国的认知产生决定性影响。
这个群体不再象前两代那样限于中国通，而是来自各个领域。第三代中国学呈现的一个趋向可以称为实证派，即以收集客观数据为基本研究方法，客观分析中国的治理模式。
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